Dewasish Tamang

Avash Joshi is a Kathmandu‑based Nepali musician, arranger, composer, vocalist, and guitarist active in Nepal’s independent rock and metal scene. His work is characterized by self‑produced compositions, where he frequently handles lyrics, music, vocals, arrangement, recording, mixing, and mastering himself — a rare full‑stack production approach in Nepali music.His early work includes the track “Pretatma”, where he is credited for lyrics, music, vocals, arrangement, recording, mixing, and mastering . He maintains a presence on ReverbNation as a metal artist from Kathmandu, Nepal, showcasing his identity within the heavier genres of Nepali music .Joshi continues to release original music through A&J Studio, where he performs as vocalist, guitarist, and arranger. His 2026 release “Baal Metal Geet” features him on vocals, guitar, and arrangements, supported by a full band and produced at A&J Studio in Tahachal .

Kiran Kandel is a skilled musician, singer, music arranger in Nepali music. He has been in music for over 25 years. Kiran, who passed the voice test from Radio Nepal in 2051 BS, he has so far given music in 400 songs and has arranged music in more than 5000 songs. He is also a skilled music instrumentalist.

Gopal Dev is a Nepali flutist recognized for his soulful bansuri performances across folk, modern, and fusion music. Active in studio recordings, live concerts, and collaborative projects, he is known for blending traditional Nepali flute techniques with contemporary arrangements. Dev’s playing style emphasizes emotional phrasing, tonal purity, and melodic storytelling, making him a respected instrumental voice in Nepal’s evolving music scene.

Mukesh Shakya is a young Nepali tabalist and classical musician, known as a disciple of the late maestro Rabin Lal Shrestha. He has performed in classical music sessions organized by the Society of Classical Music Nepal, including their 76th session, where his tabla playing was featured and praised for its precision and depth. Mukesh represents a new generation of Nepali classical artists dedicated to preserving and evolving traditional forms like tabla and Hindustani music. His training under Rabin Lal Shrestha places him in a respected lineage of percussionists, and his public performances reflect a growing commitment to Nepal’s classical music scene