Bishwo Hingmang

Rajani Rana – Nepali Actress Known for: Simarekha (1997) – A well-regarded film in Nepali cinema Daag (2001) – Another notable performance that added to her reputation Abiral Bagdachha Indrawati (2057 BS) Career Highlights: Rajani Rana was active in the late 1990s and early 2000s, appearing in films that contributed to the golden era of Nepali film. Her roles often reflected strong emotional depth and cultural nuance. Other Appearances: She also starred in the film Bansha, alongside Shikha Malla and Kalyan Ghimire, directed by Shyam KC.  

Soniestha Tamang is a prominent Tamang‑language film actress best known for her leading roles in Mendu Maya and Dorje Don, where her expressive performances and cultural authenticity earned strong appreciation from Tamang audiences. She has appeared in more than 20 Tamang music videos and gained wider visibility through notable features in Rajesh Payal Rai’s “Timile Sochyau Bato Biraeun” and Anju Panta’s “Palpal Dukhayera,” showcasing her confident screen presence and versatile appeal.

Samrat Thapa is a Nepali film actor active since 2001, known for his work across commercial and social‑drama cinema, appearing in more than three dozen films over two decades. His career includes notable roles in Sapoot (2007), Mister Don (2008), Dosti (2009), Swabhiman (2010), Phool (2012), Love in China Border (2013), Agni (2015), Refugee (2016), and the upcoming Sarang (2025). His filmography reflects a consistent presence in mainstream Nepali cinema, contributing as both an actor and occasional co‑producer.

Mukunda Shrestha is a veteran Nepali film actor recognized for his powerful presence in action, antagonist, and character roles across more than four decades of cinema. Emerging during the formative years of modern Nepali filmmaking, he built a reputation for intensity, discipline, and memorable screen performances. His work spans notable films such as Kohinoor, Basain, Muskan, and several mainstream action features that defined their era. After stepping away from the industry for nearly a decade, he returned with renewed energy in Laaj Sharanam, reaffirming his commitment to Nepali cinema and his enduring connection with audiences.