Bishnu Sapkota

Raj Pangeni Sharma is a Nepali film and television actor whose work spans independent cinema and contemporary series‑style storytelling. He is best known internationally for his performances in the feature film Basenji (2023), the short film Mango Pickle (2020), and the TV mini‑series Sano Sansar – Stories of Middle Class (2023/2024), where he portrays nuanced, everyday characters with emotional restraint and realism.

Sushma Niraula is a Nepali film and theatre actress known for her growing presence in contemporary Nepali cinema. Active since 2019, she has appeared in more than 10 feature films, including notable titles such as Ghamad Shere (2019), Chapali Height 3 (2022), Dui Numberi (2022), Chhakka Panja 4 (2023), Boksi Ko Ghar (2024), Khajure Bro (2024), and the upcoming Abhimanyu Chapter 1 (2025) and Laalimaa (2026).

Shekhar Chapagain is a Nepali film artist recognized for his naturalistic acting style and his steady presence across contemporary Nepali cinema. He first gained attention through his supporting roles in critically noted films such as Soongava: Dance of the Orchids (2012), where he appeared as an inspector, and Maun (2013), portraying Barsha’s father.His recent work includes a featured role in Degree Maila M.A 3rd Class (2024), directed by Ram Babu Gurung, further establishing him among the reliable character actors of his generation. Chapagain has also appeared in short films like Late Night (2023) and the social short Pralobhan, expanding his range across digital and independent storytelling.

Shanti Maskey (born Magh 5, 1983 B.S. in Gorkha; passed away Magh 4, 2067 B.S.) was one of the most influential and pioneering actresses in Nepali performing arts. Known for her powerful presence across film, theatre, radio, and music, she helped shape the early identity of Nepali cinema and became a cultural icon whose legacy continues to inspire generations. She was passionate about singing, gifted with a naturally melodious voice. Her formal musical journey began in Biratnagar, where she introduced herself as a singer through Prajatantra Radio, gaining recognition for her expressive vocal style. This early artistic exposure strengthened her foundation before she transitioned into full‑time acting.