Bhupendra Rasaili

Nagendra Bikram Rai is a renowned flutist from Nepal. Here are some details about him: Flute Cover (Timi Tare Bhir): Nagendra Rai performed a beautiful flute cover of the song “Timi Tare Bhir Ma Ta Lahara.” The arrangement and guitar were done by Krishna Limbu, and the recording took place at Studio Libulung. The mix and master were handled by Dipesh Pradhan at Deep Studio. Classical Music in Acoustic: Nagendra Bikram Rai has also been part of classical music performances in an acoustic setting. He collaborates with other artists, including tabla player Pramod Upadhyaya. Feel free to explore Nagendra Bikram Rai’s music and enjoy his mesmerizing flute performances! 🎶🎵

Dashain and Malshree Dhun are deeply connected in Nepali culture. The sacred melody of Malshree is considered the musical soul of Dashain, and helping preserve this tradition is Nepal’s first and only female sarod player, Rupa Neupane. Rupa Neupane was born in Asar 2026 B.S. (1969 A.D.) in Mulpani, Kathmandu. She was married at the age of 12 in 2038 B.S. Despite early marriage and social responsibilities, her passion for music gradually found its way into her life. At the age of 24, in 2050 B.S. (1993 A.D.), she began learning the sarod, marking the beginning of her remarkable musical journey. She first trained under senior sarod maestro Mohan Sundar Shrestha in Kathmandu. Later, she continued her studies with Suresh Raj Bajracharya and further refined her skills under Dr. Anupama Kumari in India. Through dedication and continuous practice, she steadily established herself as a respected sarod instrumentalist. In a field traditionally dominated by men, Rupa Neupane broke barriers and created a historic identity as Nepal’s pioneering female sarod player. Her performances of Malshree Dhun during Dashain have strengthened the cultural connection between classical instrumental music and Nepal’s most celebrated festival. Today, she continues her journey as a committed sarod artist, inspiring women and young musicians across the country. Her life reflects perseverance, courage, and devotion to classical music, proving that passion and determination can overcome social and personal challenges.

Mohan Sundar Shrestha was a distinguished Nepali sarod player who dedicated nearly five decades of his life to the art of sarod performance. Despite losing vision in both eyes, he made an extraordinary contribution to the development and promotion of sarod music in Nepal. Early Life and Musical Training He was born in Kilagal, Kathmandu, Nepal. At the age of 12, he began learning the sarod under the guidance of senior sitar and sarod maestro Narayan Prasad Shrestha. His formal musical journey began in 1970, marking the start of a lifelong devotion to classical instrumental music. Professional Career In 2026 B.S., Shrestha joined Rastriya Nachghar (National Theatre) as a staff musician. From 2037 to 2068 B.S., he worked on a contractual basis as a musician at Radio Nepal. His sarod compositions were featured in songs by singer Shiv Shankar, bringing classical depth to Nepali music. He also served as a court musician at the former Royal Palace of Nepal and officially retired in 2007. A significant milestone in his life came in 2042 B.S. (1985 A.D.), when he was granted the opportunity to perform before King Birendra. After the performance, the King praised his artistry and inquired about his well-being. Upon learning of his wish for stable employment, the King recommended him to perform regularly at the Royal Palace. As a result, Shrestha performed sarod at royal events for 22 years. Following an unexpected retirement notice from Radio Nepal without prior information, he continued his musical journey by performing regularly at Hotel Annapurna. Performances and Contributions Throughout his career, he performed at several prominent venues and religious sites including: Kirateshwar Mahadev Temple, Ram Mandir Battisputali, Yala Maya Kendra & Rastriya Nachghar. He also released instrumental albums titled Favorite and Favorite–2, which featured sarod melodies cherished by classical music enthusiasts. Passing Mohan Sundar Shrestha passed away on 24 Falgun 2077 B.S. (March 8, 2021), at 6:40 PM at Green City Hospital in Kathmandu at the age of 80. Legacy Despite the immense challenges of losing his eyesight, Mohan Sundar Shrestha remained devoted to music throughout his life. His dedication, resilience, and mastery of the sarod have left a lasting legacy in Nepal’s classical music tradition. He is remembered as one of the pioneering figures in Nepali sarod performance.

Anup Das is a Nepali guitarist and bass guitarist active in studio recordings, live performances, and session work across Kathmandu’s music scene. His playing appears in multiple recording studios—including Mahol Studio, Studio Sangam, and Studio King—where he is frequently featured in bass‑guitar sessions, rhythm‑guitar recordings, and instrumental projects.He is known for his versatile guitar work, performing everything from acoustic covers to bass‑driven Nepali folk, pop, and contemporary arrangements. His presence across numerous studio videos and recording sessions highlights his role as a reliable session instrumentalist, contributing to the sound of many artists behind the scenes.With a growing digital footprint through studio features and performance clips, Anup Das represents the class of dedicated Nepali instrumentalists whose craft supports both emerging and established singers in Nepal’s evolving music industry.