Suraj Pandey

Janak Deep Parajuli is a veteran Nepali film director, media professional, lyricist, and festival director active since 1995, known for directing 100+ music videos, TV series, documentaries, corporate films, and feature films, and for his leadership roles in major Nepali and international film festivals.

Ujwal Ghimire is a veteran Nepali film and television director, producer, writer, and actor whose career spans more than four decades and has significantly shaped mainstream Nepali cinema. Beginning in theatre and early Nepal Television programs, he rose to prominence with acclaimed films such as Kismat, Chhodi Gaye Paap Lagla, Andaj, and Woda No. 6. Known for emotionally resonant storytelling and audience‑centered direction, he has earned multiple National Film Awards and industry honors. Ghimire remains an influential creative force, contributing to film, television, and the development of new talent in Nepal’s entertainment industry.

Shyam Rai is a veteran Nepali film artist who has remained active in the industry for more than four decades. He began his cinematic journey in 1984 with the film “Basudev,” marking the start of a long and diverse career. Rai is known not only as an actor but also as a director, executive producer, legal advisor, assistant director, clap coordinator, and special appearance artist, reflecting his wide creative range. He has acted in over 37 films, including notable titles such as “Seto Bagh” (2015), “Rato Ghar” (2017), and “Bihe Pass” (2023). His recent works include “Hostel 3” (2025) and “Magne Raja” (2025). As a director, Shyam Rai has left a strong mark with films like “Chot” (1990), “Sankalpa” (1993), “Abala” (1996), “Guru Chela” (1998), “Aankha Lobhi Man Papi” (2003), and “Samarpan” (2004). Respected for his dedication, versatility, and long-standing contribution, Shyam Rai remains one of the most experienced and multifaceted figures in Nepali cinema

Pradip Shrestha is a Nepali film director known for his work in mainstream commercial and emotional, family‑oriented cinema. Over his career, he has directed a series of feature films that blend romance, social drama, suspense, and sentiment, building a solid reputation as a storyteller who understands the pulse of the Nepali audience.His directorial credits include films such as Dui Pal, Ajambari Nata, Dar, Jiban Rekha, Bhagawan Sabaiko, Sapana, Kabaj, Mero Man Ko Sathi, Black (and others), where he has worked with a range of established and rising actors. These films reflect his interest in emotional relationships, moral dilemmas, and socially rooted narratives presented in an accessible, entertaining style.