Anup Das

Born on April 14, 1977, in Byasi, Bhaktapur, she is the eldest daughter of Krishna Bdr Rajchal and Purna Kesari Rajchal. Growing up in a musically inclined family, she was inspired by her father’s love for the harmonium. Her musical journey began early—by class four, she was already performing in school programs and learning harmonium under Hari Prasad Bati. She completed her schooling at Prabhat English Boarding School and Sharda Secondary School, and later earned a bachelor’s degree from Lalit Kala Campus. Her passion for music led her to Rabindra Bharati University in Kolkata, where she earned a second bachelor's degree, followed by a master’s degree at Lalit Kala Campus upon her return to Nepal. She also holds a vocal diploma from Pragya Sangeet Samiti, Allahabad. During her studies in India, she had the opportunity to perform with an orchestra group on Rabindranath Tagore’s birthday, a turning point that helped shape her musical identity. It was in college that she discovered the sitar, an instrument that would become her primary medium of expression. Her professional career officially began in 2004 with the recording of her first song. In 2005, she released her debut album, "The Tradition", and followed it with "Talking Strings" in 2012, showcasing her evolving artistry and mastery of the sitar. Between these releases, she actively toured cities across Nepal and India, including Nepalgunj, Pune, Jharkhand, Nagpur, and Kolkata, bringing her music to diverse audiences. Her journey reflects a deep commitment to classical music and a lifelong dedication to preserving and sharing its beauty through performance and education.

Rabin Lal Shrestha is a Nepali tabla virtuoso and music educator known for his contributions to classical and devotional music in Nepal. Born in Kathmandu, he has been a leading figure in preserving and teaching the tabla tradition for several decades, both as a performer and as a mentor to young musicians. Key facts Birthplace: Kathmandu, Nepal Primary Instrument: Tabla Teaching Position: Lalit Kala Campus, Bhotahiti (since 1989) Notable Albums: Tabla Solo, Grand Rehearsal Collaborations: Suresh Raj Bajracharya (sarod), Prabhu Raj Dhakal (vocals) Musical training and influences Shrestha began studying tabla at the age of ten, inspired by bhajans sung by his father. His early training was under Sadhuram Manandhar, followed by advanced tutelage from Ganesh Raj Wonta, Nara Raj Dhakal, Homnath Upadhyaya, and Sambhu Prasad Misra. This diverse lineage grounded him in the North Indian classical tradition while connecting it to Nepal’s own devotional music culture. Teaching and mentorship Since joining Lalit Kala Campus in 1989 after three years at Holy Garden School, Shrestha has educated generations of students through structured intermediate and diploma programs. His classes maintain a rigorous schedule, emphasizing rhythm discipline and improvisational skill. He is regarded as a key figure in institutionalizing tabla education in Nepal. Performances and recordings Beyond teaching, Shrestha regularly performs at Kathmandu’s Hotel Vajra in a long-running program titled Dafa. He has toured internationally—including performances in Europe with sitarists Tarabir and Bijaya Vaidya—and released two albums: Tabla Solo, accompanied by his instructional book Dafa, and Grand Rehearsal. His work bridges traditional and contemporary interpretations of tabla music. Legacy Rabin Lal Shrestha continues to inspire Nepal’s younger generation of classical musicians. His dual role as performer and educator has made him a cornerstone of the country’s evolving Hindustani percussion scene, ensuring the tabla’s rhythmic heritage remains vibrant in modern Nepal.

Avash Joshi is a Kathmandu‑based Nepali musician, arranger, composer, vocalist, and guitarist active in Nepal’s independent rock and metal scene. His work is characterized by self‑produced compositions, where he frequently handles lyrics, music, vocals, arrangement, recording, mixing, and mastering himself — a rare full‑stack production approach in Nepali music.His early work includes the track “Pretatma”, where he is credited for lyrics, music, vocals, arrangement, recording, mixing, and mastering . He maintains a presence on ReverbNation as a metal artist from Kathmandu, Nepal, showcasing his identity within the heavier genres of Nepali music .Joshi continues to release original music through A&J Studio, where he performs as vocalist, guitarist, and arranger. His 2026 release “Baal Metal Geet” features him on vocals, guitar, and arrangements, supported by a full band and produced at A&J Studio in Tahachal .

JB Lama is one of Nepal’s senior and most respected flutists, widely recognized for his decades‑long contribution to Nepali modern, folk, and film music. He has collaborated with legendary icons including Narayan Gopal, Gopal Yonjan, Nati Kaji, Fatteh Man, and many others, shaping the sound of Nepali music across multiple eras. Lama is also credited with creating his own flute‑playing pattern, a stylistic signature still followed by many contemporary flutists.