Pranil L. Timalsena

Bishwo Dong is a celebrated Nepali and Tamang singer, composer, songwriter, and arranger known for his vibrant contributions to the Tamang Selo and Lok Pop genres. Born on January 23, 1984, in Kavrepalanchok, Nepal, he grew up in the culturally rich hills of Temal. His musical journey began after completing his SLC in 2055 BS, when he joined Sangeet Sadhana Music School and trained under Kailash Rai and later Aaga Lama. He often collaborates with artists like Sumina Lo, Sashikala Moktan, and Jamuna Yonjan, and his music blends traditional Tamang rhythms with modern arrangements. His studio, Dong Studio, is a hub for his creative productions.

Juna Prasai is a Nepali singer known for her contributions to modern and folk music. She has released several songs, including "Bhailini Aaye", a popular Tihar festival song, and "Nadekheko Bhaye", a Nepali pop song. Her music blends traditional Nepali elements with contemporary styles, making her a recognized figure in the industry. She has collaborated with various artists and has been featured on platforms like Music Nepal and Dhaulagiri Digital Nepal. Her songs often reflect themes of love, culture, and celebration.

Ajay Adhikari ‘Sushil’ is a Nepali singer, composer, and lyricist active since 2068 BS (2011 AD), known for his socially themed modern songs and soft‑melodic vocal style. He began his professional journey at the age of 17 as a teacher at Samata School, Lalitpur, before transitioning fully into music, driven by a deep personal passion for songwriting and composition.Adhikari has released six studio albums, including Rahar, Pheri Arko Rahar, Pani Nakhai Basnai Pardaina, Dashain Ra Tihar, Yo Kasto Rahar, and Man Ko Rahar, establishing himself as a consistent creator in Nepal’s modern music scene. His works often explore themes of social behavior, cultural values, and everyday human experiences, blending modern melody with meaningful lyrical expression.Alongside music, he is active as a school principal, author, and theatre producer, reflecting a multidisciplinary creative identity. His book Bhoge, Dekhe Ani Lekhe and his involvement in stage productions highlight his broader artistic engagement.With a clear, expressive voice and a commitment to socially conscious storytelling, Adhikari continues to shape a distinctive presence in contemporary Nepali music.

Binusa Rai is a contemporary Nepali singer known for her growing presence in modern lok‑geet, purbeli folk, and digital‑era Nepali music. Active across YouTube, studio labels, and streaming platforms, she has lent her voice to popular songs such as “Hataima Salai” (2025) , “Bala Maicha” (duet with Prabhananda Baidya) , and “Kalle Bhanyo” (2025) with Himal Gharti Magar . Her vocals also appear in widely shared folk‑inspired pieces like “Timi Pareu Nepal Ko, Ma Ta Pare Asam Ko” in collaboration with Mani Sundar Limbu .Rai’s discography on streaming platforms includes multiple solo releases such as “Timro Mero Mayako Ghar,” “Priyatam Yo Mero Man,” “Bhaileni Aain Agana,” “Jun Pal Timi Aayau,” and “Kasari Jodyau Mutu”—showcasing her versatility across folk, sentimental, and melodic genres . With consistent digital output and collaborations with emerging composers, she represents the new wave of Nepali female vocalists shaping the post‑2024 folk‑fusion soundscape.