Tika Niroula

Starting from her early childhood in Lazimpat, Kathmandu, Sakuntala Sharma (born 2008 B.S.) grew into one of Nepal’s most respected theatre artists and actresses, known for her expressive performances and deep commitment to stagecraft. She began acting at the age of ten with the play Palansko Phool, marking the start of a lifelong dedication to Nepali theatre. In 2033 B.S., she entered an inter‑caste arranged marriage with actor and theatre director Harihar Sharma, forming one of Nepal’s most influential artistic partnerships.Sakuntala became widely recognized for her powerful roles in acclaimed plays such as Kosanga Judhaun, Manis ra Mukundo, Pahad Chichyairahechha, Farkera Herdā, Kankal, Chyatitako Parda, and Parkhalbhitra. Her transition to cinema in the 1970s brought memorable performances in Hijo, Aaja ra Bholi, Badlindo Aakash, Vasudev, Mayapriti, Chokho Maya, Chelibeti, Sindoor, and Santaan Tharitharika. She also contributed significantly to Radio Nepal through numerous radio dramas, strengthening her legacy as a versatile and enduring performer in Nepali performing arts.

Raj Pangeni Sharma is a Nepali film and television actor whose work spans independent cinema and contemporary series‑style storytelling. He is best known internationally for his performances in the feature film Basenji (2023), the short film Mango Pickle (2020), and the TV mini‑series Sano Sansar – Stories of Middle Class (2023/2024), where he portrays nuanced, everyday characters with emotional restraint and realism.

Kiran Shrestha began his artistic journey in theatre, where he developed strong foundations in character study, voice control, emotional expression, and ensemble performance. His stage background shaped his ability to portray complex characters with depth and authenticity.Transitioning into film, Shrestha quickly became recognized for his realistic acting style, portraying characters rooted in everyday Nepali life. His performances often reflect social issues, emotional conflict, and human vulnerability — qualities that make him a reliable and relatable presence in modern Nepali cinema.With roles across multiple genres, he continues to expand his artistic range, contributing to both mainstream and independent film projects.

Kiran Nepali is a Nepali film artist, actor, and producer known for his expanding contributions to contemporary Nepali cinema. Originally from Nuwakot, he has spent over a decade working across multiple roles in the industry, building a reputation for bringing fresh perspectives and grounded storytelling to mainstream and commercial films.He has been involved in several notable Nepali films, including Doli, Love Day, Poi Paryo Kale, and Dui Nambari, with the latter two achieving strong commercial success. His work reflects a blend of creative ambition and industry experience, contributing both in front of and behind the camera.Kiran is currently engaged in the post‑production of his film Hattichaap and is preparing new projects such as Dui Numbari 2 and Soli Doli, the latter of which he is directing marking his transition from producer to filmmaker.Beyond cinema, he is also active in entrepreneurial and cultural sectors and holds leadership roles in Nepali social organizations, reflecting his broader engagement with community and cultural development.