Pradeep Singh

Roshani Sapkota is a Nepali actress best known for her breakout popularity in the classic comedy serial “Hari Bahadur–Madan Bahadur”, where she first gained national recognition. She later became widely loved for her long‑running role as Batuli in the hit series “Harke Haldar,” appearing in more than 700 episodes and establishing herself as one of Nepal’s most familiar television faces.  

Raj Pangeni Sharma is a Nepali film and television actor whose work spans independent cinema and contemporary series‑style storytelling. He is best known internationally for his performances in the feature film Basenji (2023), the short film Mango Pickle (2020), and the TV mini‑series Sano Sansar – Stories of Middle Class (2023/2024), where he portrays nuanced, everyday characters with emotional restraint and realism.

Keshab Bhattarai was a respected Nepali actor and film producer who played a significant role in the country’s cinema for over three decades. He made his acting debut in the film Koseli directed by Tulsi Ghimire and appeared in around fifty Nepali movies throughout his career. As a producer, Bhattarai worked on several films including Yatra, Bracelet, So Simple, Karmayoddha, and Aafno Manche. He also served as the Chairperson of the Film Development Board and was Senior Vice President of the Nepal Film Producer’s Association, contributing to the growth of the film industry before his passing in 2019

Nishma Ghimire is a Nepali actress who entered the film industry through the feature film Rhythm, after first appearing in various Nepali music videos. Known for her expressive screen presence and soft, youthful acting style, she became visible in the early 2010s as part of the new wave of actresses transitioning from modeling and music videos into mainstream cinema. Before her film debut, she worked in multiple romantic and modern‑themed music videos, which helped her gain recognition among young audiences.Although Rhythm introduced her to the big screen, Nishma continued to appear selectively in film and media projects. Over time, she gradually stepped back from the Nepali film industry and is currently not active in mainstream cinema.