Abishek Khadka

Dayahang Rai is a Nepalese actor, director and play writer known for his work in Nepali cinema. He is one of the most popular and acclaimed actors in Nepal. He has starred in 40 plus films and is one of the leading contemporary actors in Nepal. Dayahang rose to prominence from the television series Yuva, Dalan and Hamro Team. His first leading role in a film was in Anagarik (2006) and had only one successful film Dasdhunga (2010) to his name but the 2012 Industry Hit film Loot (2012) marked turning point in his career and since then has starred in successful films Chhadke (2013), Badhshala (2013), Karkash (2013), Jholey (2014), Kabaddi (2013) and its sequels Kabaddi Kabaddi (2015) and Kabbadi Kabbadi Kabbadi (2019), Talakjung vs Tulke (2014), Woda Number 6 (2015), How Funny (2016), Bir Bikram (2016), Loot 2 (2017), Kaanchi (2018) and Jatrai Jatra (2019). He has starred in the film White Sun (2016) which was his first film that was entry of Nepal for Academy Awards. Dayahand Rai is also the recipient of numerous awards including three National Awards for Best Supporting Actor in 2009 for Dasdhunga, Best Actor in 2015 for Sambodhan, and Best Actor in 2016 for Kabaddi Kabaddi.

Najir Hussain is a Nepalese film actor, known for his work in the Nepalese entertainment industry. One of the most critically acclaimed actors in Nepal, he is the first Madhesi Muslim to rose into fame from his native Madhesi role in Hostel Returns as Rameshwor Yadav and Bikram in Bir Bikram 2.

Mahesh Pandey is the model and actor of the Nepali film industry. He has played music videos.

Hari Prasad Rimal is honored as one of the foundational figures of Nepali performing arts, celebrated for his pioneering contributions to theatre, music, and cinema. Widely recognized as Nepal’s first radio singer, he recorded Mero Mann Ma Timro for Radio Nepal in 1951, marking a historic milestone in the nation’s broadcasting and musical culture. Rimal was also a prominent stage actor and later transitioned into film, appearing in early Nepali classics such as Aama (1964). His expressive performances, disciplined craft, and commitment to artistic excellence helped shape the identity of modern Nepali acting. Over his long career, he received multiple honors acknowledging his influence on theatre, music, and the evolution of Nepal’s cultural landscape